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You've selected:
Annemieke Lustenhouwer
Sheetmusic to print
9 sheet music found
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1
Miserere
Harp
Pedal Harp - Level 3 - Digital Download SKU: A0.1306330 Composed by Annemieke Luste…
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Pedal Harp - Level 3 - Digital Download SKU: A0.1306330 Composed by Annemieke Lustenhouwer. 21st Century,Christian,Contemporary,Religious. Score. 11 pages. Annemieke Lustenhouwer #895745. Published by Annemieke Lustenhouwer (A0.1306330). Miserere or Miserere mei, Deus, is Latin for Have mercy on me, O God, a setting of Psalm 51, the psalm of David.Lustenhouwer composed her setting of Miserere for choir SATB and harp. The harp is a very special atribute from David. He played the harp for Saul, so it definitely had to be a harp accompaniment in this music.This score is the harp score. On sheetmusicplus and sheetmusicdirect there is a separate conductor score too.
$20.00
18.67 €
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Harp
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Annemieke Lustenhouwer
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Miserere
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Annemieke Lustenhouwer
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SheetMusicPlus
Music to heare
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1399204 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1399204 Composed by Annemieke Lustenhouwer. 21st Century,Contemporary. 10 pages. Annemieke Lustenhouwer #982501. Published by Annemieke Lustenhouwer (A0.1399204). Music to heare is a song for choir SATB and harp accompaniment on sonnet no. 8 from Shakespeare.
$12.00
11.2 €
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Choral SATB
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Annemieke Lustenhouwer
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Music to heare
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Annemieke Lustenhouwer
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SheetMusicPlus
Speak of the North! a lonely moor
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1187278 By Lyrics by Charl…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1187278 By Lyrics by Charlotte Brönte. By Annemieke Lustenhouwer. Contemporary. Octavo. 4 pages. Annemieke Lustenhouwer #786916. Published by Annemieke Lustenhouwer (A0.1187278). Charlotte Brönte is a one of the best known women writers of the Victorian era and wrote both novels and poems. Her best known novel is Jane Eyre. She did write it under the pseudonym of Currer Bell. Like her contemporary Elizabeth Barrett Browning, Brontë experimented with the poetic forms that became the characteristic modes of the Victorian period.In this poem for SATB choir a capella I tried to catch melancholy that Charlotte descripes in her poem about the landscape around a moor. She did it very vivid. You can almost see the colours, hear and sounds and smell it's odours.
$8.60
8.03 €
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Choral SATB
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Lyrics by Charlotte Brönte
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Speak of the North! a lonely moor
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Annemieke Lustenhouwer
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SheetMusicPlus
Evening Solace
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1187123 By Lyrics b…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1187123 By Lyrics by Charlotte Brönte. By Annemieke Lustenhouwer. Contemporary. 13 pages. Annemieke Lustenhouwer #786755. Published by Annemieke Lustenhouwer (A0.1187123). Evening solace is a poem with pure melancholy like all other poems from Charlotte Brönte. Charlotte was a specialist in cultvating melancholy. Charlotte Brönte is a one of the best known women writers of the Victorian era and wrote both novels and poems. Her best known novel is Jane Eyre. She did write it under the pseudonym of Currer Bell. Like her contemporary Elizabeth Barrett Browning, Brontë experimented with the poetic forms that became the characteristic modes of the Victorian period.A double SATB choir tells about the secrets of the human heart, accompanied by a piano.
$12.00
11.2 €
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Choral SATB
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Lyrics by Charlotte Brönte
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Evening Solace
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Annemieke Lustenhouwer
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.73 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Sonata Fantastique - solo sonata for clarinet Sib
Clarinet
B-Flat Clarinet Solo - Level 4 - Digital Download SKU: A0.1306288 Composed by Annem…
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B-Flat Clarinet Solo - Level 4 - Digital Download SKU: A0.1306288 Composed by Annemieke Lustenhouwer. 21st Century,Chamber,Contemporary. Individual part. 5 pages. Annemieke Lustenhouwer #895700. Published by Annemieke Lustenhouwer (A0.1306288). A solo sonata without accompaniment for clarinet Sib in g minor.* Rubato* Doloroso * Gioscoso.
$12.00
11.2 €
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Clarinet
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Annemieke Lustenhouwer
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Sonata Fantastique - solo sonata for clarinet Sib
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Annemieke Lustenhouwer
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SheetMusicPlus
Stabat Mater
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemieke Lustenhouwer. Contemporary. Octavo. 130 pages. Annemieke Lustenhouwer #786752. Published by Annemieke Lustenhouwer (A0.1187117). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.Conductors score with parts for the string players.
$19.00
17.73 €
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Choral SATB
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Annemieke Lustenhouwer
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Stabat Mater
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Annemieke Lustenhouwer
#
SheetMusicPlus
Music, when soft Voices die
Choral SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1195931 Composed by…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1195931 Composed by Annemieke Lustenhouwer. Contemporary. 6 pages. Annemieke Lustenhouwer #795106. Published by Annemieke Lustenhouwer (A0.1195931). Music, When Soft Voices Die is a major poem by Percy Bysshe Shelley, written in 1821 and first published in Posthumous Poems of Percy Bysshe Shelley in 1824 in London by John and Henry L. Hunt with a preface by Mary Shelley. The poem was published in 1824 under Miscellaneous Poems in Posthumous Poems. It is composed of two stanzas containing two couplets each.Many composers and musicians have set the poem to music, so did I.Music, When Soft Voices DieMusic, when soft voices die,Vibrates in the memory;Odours, when sweet violets sicken,Live within the sense they quicken.Rose leaves, when the rose is dead,Are heap'd for the beloved's bed;And so thy thoughts, when thou art gone,Love itself shall slumber on.
$12.00
11.2 €
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Choral SATB
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Annemieke Lustenhouwer
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Music, when soft Voices die
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Annemieke Lustenhouwer
#
SheetMusicPlus
Miserere
Choral SATB
Composed by Annemieke Lustenhouwer. 21st Century,Christian,Contemporary . 28 pages. A…
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Composed by Annemieke Lustenhouwer. 21st Century,Christian,Contemporary . 28 pages. Annemieke Lustenhouwer #895743. Published by Annemieke Lustenhouwer
$20.00
18.67 €
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Choral SATB
#
Annemieke Lustenhouwer
#
Miserere
#
Annemieke Lustenhouwer
#
SheetMusicPlus
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